Adolph Hitler, in Mein Kampf, asserted that the best course for a human being was to trust his heart, not his mind, to believe in emotion not intellect.
Mad Dog has been thinking about this as he has considered another problem: the difference between dilettantism and mastery, and, beyond that, the difference between something which is derivative and that which is original, new or at least sufficiently different to be considered really creative.
All this came to mind when Mad Dog saw someone on youtube talking about his life, saying, "I had always wanted to be a writer." And it made him think of how many times he had heard someone say, "I had always wanted to be a doctor."
Of course, hearing that, Mad Dog had thought, "You are exactly the person who should not become a writer," or a doctor.
What that person who said "I always wanted to be..." is actually saying is that he had seen representations of what doctors are, what their lives are like, and what their rewards and trials are like and that's the sort of life they could imagine for themselves.
Of course, medical school admission committees gave preference to the children of doctors, not out of a sense of clubbiness, but because they knew these kids had no romantic illusions about a life in medicine. And what actually makes for a successful doctor is not a person seeking to be a hero, but someone who is actually interested in the process of problem solving, which is what medicine is all about.
This is called separating the "dreamers" (the romantics who have no knowledge of the actual reality) from the real champions.
| Fantasyland, Magaland |
The difference between the World Wrestling Association professional "wrestlers" and the NCAA wrestling champions is the difference between theater/make believe and Fantasy land and the reality of those who have mastered the science, done the hard work of learning, failing, succeeding and training.
| Nothing Like the Real Thing, Baby |
Similarly, there are scads of people who can see themselves sitting around Parisian cafe`s like Hemingway, scribbling in notebooks, writing the next great American novel, having adventures with liberated women, and strolling along the Seine, who have little or no regard for the actual written word. They are not in love with the thought but with the romantic, unrealistic idea of what being an author would be like.
Actually being good at something, attaining mastery requires not just talent, a proclivity, but a willingness to labor, painstakingly at it, to endure the boring, tedium of attending to minute details, to craft and fashion.
This is precisely what Robert F. Kennedy, Jr. lacks: Doing science and even reading the science others have done is tedious, requires patience and a willingness to follow an argument, then the patience to see where that study, that argument might have drifted into error. He does not have that. It is so much easier to just believe something and then slapdash apply some belief to get where you want to go.
Thus, the story of the polio vaccine is a long, exhausting exercise, but it's just easier to wave your hand and say the polio vaccine killed more people than it saved, and be done with it. Same for measles and rubella. Dilettantism is just so much easier. You can be lazy and prevail.
Which is not to say everyone has to be an original or a genius to be worth listening to. The Marsh family sets lyrics to music and songs which have been worked out by others, by folks with talent who did the work of mapping out a song, but the Marsh family uses that work for its own purposes--it uses the mind work of others to evoke an emotional response which is worthy in its own right. Their rendering of "Minnesota" is emotionally right, and effective, even if they did not work out the rhythms and the chords and the harmonies themselves. They make it work for their own purposes, and they should be congratulated for that.
https://www.youtube.com/watch?v=BRHxXHZmVAM&list=RDBRHxXHZmVAM
But then we should appreciate the original, the man with talent, attention span and insight to do the thing which others may use for their own purposes.
Steve Goodman is a name few know today, but his most famous work, popularized by Arlo Guthrie, and sung by a host of famous artists is astonishing. Why he did not become as famous as Arlo Guthrie, Johnny Cash, John Denver, Judy Collins, or Willie Nelson is another topic altogether. But whatever the reason, it has nothing to do with laziness. Steve Goodman's version is, to Mad Dog's mind at least, the best of all of them. And he was the guy who made the original observations, who spun that golden story. His introduction here says it all. He says his manager told him to announce he wrote this song, but to him what was important that the song got crafted--he knew he had written the song, but it wasn't the credit for the song he craved: the reward was the song itself.
https://www.youtube.com/watch?v=e4ztWNJYFrU&list=RDe4ztWNJYFrU&start_radio=1
When we observe Pam Bondi, testifying before a Congressional Committee, we can see the playbook, literally, in front of her. She has a list of Democratic Congressmen or Senators in front of her and under each name is a paragraph of oppositional research, so when Adam Schiff questions her, she does not answer his question, "Is it ICE training to shoot someone in the back once he is restrained on his belly on the ground?" but she responds
"Will you apologize to Donald Trump for trying to impeach him after you now know that Joe Biden tried to cover up Hunter Biden's involvement with Ukraine?"
When questioned by Senator Richard Blumenthal she did not answer his question but spewed out, "I cannot believe that you would accuse me of impropriety when you lied about your military service. You lied, you admitted you lied to get elected."
Blumenthal had lied about serving in Vietnam when he was in fact in the military, but remained safely stateside during Vietnam (as had George W. Bush, who never lied about his lack of deployment.)
But this is laziness. Rather than doing the hard work of trying to justify a shoot first-ask questions later ICE force of miscreants who seek a safe space for sadism, she simply attacks her interlocutors as being unworthy of questioning her.
This is a technique favored by Pete Hegseth, and Trump himself, who calls any journalist who asks an embarrassing question, "the worst journalist ever from a failing network with no ratings." Miss Piggy.
Does it work?
Yes, at least it gets appreciative laughs from the 40%, the MAGA mob.
And that is the only audience Trump and MAGA need or care about.
They are not living in the unforgiving, real world of detail, mastery and insight, but in the magical world of just say it and it is real, especially if you say it often enough.





















_crop.jpg)













